Monday, July 11, 2011
Frame 301's Summer Constellation
Friday, May 13, 2011
May Artist Suspends Pies in Frame 301
Through the installation of joint building materials and food objects, the artists challenges the root of the Housing Crises. Relying greatly on the material’s ability to resonate and connect with itself, Farrell uses jagged wood pieces, for-sale pies, and a site-specific installation method to investigate the cause and effect of the “housing bubble”. A sculptural mass of wood and hardware lines Frame 301’s back wall, enhancing the viewer’s looking experience with Destined to fail/Destined for sale’s three-dimensional composition. Considering the pie’s association with precious traditionalism and Americanism, experiencing them as commercial commodities triggers an uncanny, emotional response, correlating with the exploitation and suffering of those affected by losing their homes. Through the engagement with the art piece, viewers are able to acknowledge the complex issues on a smaller scale. By reducing the housing bubble to representational objects, Destined to fail/Destined for sale expresses the dynamics between politicians, financiers, and consumers.
Alexander Farrell is a Boston based artist working in multiple mediums. His portfolio includes paintings, drawings, and sculpture. As an abstract artist, Alexander works with found objects in works on paper and three-dimensional sculptural pieces. The artist earned his BFA in Architecture at the Massachusetts College of Art and Design in 2008. Alexander has been awarded a grant from the Vermont Studio Center (Johnson, VT) and is included in the upcoming exhibition, Flourish: Alumni Works on Paper at Bakalar and Paine Galleries, Massachusetts College of Art and Design (Boston, MA).
Exhibit Dates: May 16, 2011 – June 13, 2011
Hours: 24/7
For more information about the exhibit, please contact Lydia Gordon, Frame 301 Project Manager at Lydia.Gordon01@gmail.com or visit us at www.montserrat.edu/galleries.
Montserrat College of Art is an accredited, private, residential college of art and design offering the Bachelor of Fine Arts degree, art education certification and year-round classes and workshops for adults through its Continuing Education program.
Visit us at www.montserrat.edu.
Monday, April 11, 2011
Vinyl, leather pants, and broken guitar amps!
Friday, March 25, 2011
March Exhibition: Urban Eden
BEVERLY, March 11, 2011- Montserrat College of Art Galleries is pleased to present Kim Salerno’s installation Urban Eden,curated by Lydia Gordon. The current exhibition in Montserrat College of Art’s alternative display space Frame 301, Urban Eden reveals a vivid textured world of digital imagery, wall patterning,and three-dimensional structures. Through the useof rich,decorative elements, Salerno’s installation draws in the attention of the viewers by arranging drawing, photography, and digital media to form an intricate landscape. Salerno’s installation transforms the narrow space of Frame 301 into an urban garden. Digital prints of landscapes and gardens are cut, hung and layered alternately with transparent scrims and curtains, and expand beyond the picture plane to create a highly interactive window space. At first glance, the garden appears as a collage of idyllic flowers and scenery, beautifully nestled with embellished textiles and patterns. However, as nature is depicted through digital media, the awry placement of Urban Eden’s multiple forms begins to prompt a sense of nervous break down and eventual decay. As these layered materials create complex textual meaning within the installation, utopian and dystopian visions collide as the piece is confronted with human activity from the street. Kim Salerno’s creative work began with architecture, which continues to serve as inspiration for her more recent digital and installation projects. Her work has been exhibited throughout the United States in galleries, museums, and other public venues. The artist is a recipient of the Pollock-Krasner Foundation Grant and the Visual Arts Sea Grant from the University of Rhode Island. She earned her Masters of Architecture from the University of Pennsylvania, holds a certificate in Painting from the School of the Art Institute of Chicago, and a BA from Smith College. Kim Salerno currently teaches at the University of Rhode Island. |
Monday, February 7, 2011
Corey Corcoran's HYPERSLEEP
Friday, January 7, 2011
Street Reflections 301: Cleanliness Next to Godliness

Michelman’s site-responsive installation Street Reflections 301: Cleanliness Next to Godliness prompts a questioning of collective relations. By noticing how Frame 301 stands across from a church and a laundromat, the artist wonders how much these pillars of the neighborhood know of and understand each other. These three institutions offer different routes for expressing fundamental values in contemporary American culture: the art school practice, private worship, and personal hygiene. Street Reflections 301 quotes the words of a familiar proverb to capture, meditate on, and reflect these ideas back out to its viewers.
Street Reflections 301 dramatizes the window’s physical characteristics of transparency and reflection, conveying its message through illuminated language best visible at night. The words “cleanliness” and “godliness,” emanate from the window with a projection of inner light and color. By linking elements of each building through the proverb, the artist renews our curiosity with the streetscape and our relationship with the streetscape. The installation implicates Montserrat College as a cultural agent, situated to observe and comment on the disparities between our exterior environment and the inner feeling underlying the everyday needs, purposes, and values of our audience.
Elizabeth Michelman is an interdisciplinary artist exhibiting public and site-responsive installation art, video documentaries and artist’s videos. Her range of media includes sculpture, drawing, painting, poetry, video, and installation. Both as an artist and a curator, she has organized many site-responsive exhibitions and community participatory projects throughout New England. Michelman has taught and lectured on a range of subjects including exhibitions, 2D/3D design, drawing, sculpture, and interdisciplinary art and installation at Mass College of Art and around New England.
Monday, December 13, 2010
Diane Bronstein: underdressed
Montserrat College of Art Gallery is pleased to present Diane Bronstein’s installation, underdressed, curated by Lydia Gordon. The closing exhibition of 2010 in Montserrat College of Art’s alternative display space Frame 301, Bronstein’s arrangement of handmade underwear, bras, and slips suggest a narrative to each article of clothing, hinting at the vulnerability yet desirability of its wearers.
The artist’s creation of intimate apparel derives from her interest in privacy and how we identify ourselves by covering the body. The detailed sketching, clothing design and delicate craftsmanship of each piece allows the artist to explore the closest layer of clothing to our bodies and its protective connotation. By exposing what is usually covered, the artist brings intrigue to each piece, its owner, and their relationship.
A visual and conceptual pastiche, underdressed transforms the storefront gallery into a scene of laundry lines. underdressed is constructed from hand-sewn paper clothing, sketches of figure drawings, and sky-blue paint, drawing connections to the everyday surroundings on Cabot Street. By incorporating elements of the laundromat, art school practice, and skyline, underdressed rearranges physical characteristics of our community. By utilizing the unique perspective Frame 301 offers viewers, Bronstein hangs her pieces in a zig-zag fashion, ultimately proposing a three-dimensional, unconventional looking experience. While the artist’s process involved the layering of pencil, charcoal, and paper, underdressed ultimately strips down to the idea of physical identity, modesty, and desirability.
Diane Bronstein is a Boston-based artist focused on the creation of paper clothing, inspired by her attendance to life-drawing sessions at the Arlington Center for the Arts . Bronstein received her B.F.A in Graphic Design and Illustration at Carnegie-Mellon University and currently works as an exhibition designer for traveling, temporary and permanent exhibitions at the Museum of Science in Boston.
For more information: http://montserrat.edu/galleries/frame%20301/






